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Erin O'Connor's avatar

This is a wonderful anatomy of the philanthropic space and a wonderful challenge. To this I would add that there are level 5 founders who are doing critical, original work on a shoestring and are looking for visionary investors who get it. I know because I am one of them -- an academic refugee who entered the nonprofit world 20 years ago to create necessary change, saw the institutional lay of the land, and went on to found a nonprofit dedicated to leveraging the power of storytelling to resolve our most intractable problems in new ways that actually work. My founding partner and I welcome the opportunity to connect with philanthropists looking for an innovative, entrepreneurial place to invest. More at my substack and here: https://www.storyincubatorwritinglab.org

AwMe's avatar

Thank you for doing this hard work and then sharing your hard-earned wisdom. I know you are a fan, as am I, of classical education. It does provide the tools to discern and question an organization's priorities before investing. Whatever is true and pure and right, do that--but make certain that the outcome actually matches the intent, and ask, as Thomas Sowell would, "And, then what happens..." before committing.

Many large endowments now support work that the original donors would be appalled to have associated with their names. Social welfare became social justice. Art that elevates became elevating particular artists (whose art is ugly, but the artist fits a category). Educating the poor became indoctrinating the malleable. The faithful who built and endowed Christian churches for the glory of God would not recognize the religion being taught and practiced using their funds.

Money donated to hospitals and colleges effectively raises the cost of healthcare and education by funding a project, which is then depreciated on the balance sheet...

The art museum in my city spent large sums on what can best be described as giant hanging sculptures of black dung. The art had an interesting "story" that was supposed to explain its worth. However, since art should be a form of communication, the fact that this art communicated nothing of value seems to be a critical missing piece. The Pieta does not require a story; it communicates more than mere words can convey. How do we help communities develop an appreciation of art if we show them dung rather than the Pieta?

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